Photo By Brenden Work

    The baby is like a little wizard. He rises like bread dough, pushing to expand his world. His
    magnetic force pulls strangers toward him as if they believe his power will pass between fluid,
    endometrium, smooth muscle, skin, and cotton to their outstretched palm.

    The baby can’t have wine, wheat beer, or soft cheese like brie or camembert. There are no happy
    hours or cocktail parties. He must breathe pure air, no second-hand, late-night house-party
    smoke. Rock concerts make him jumpy as a tadpole in his little lake. Things change. The phone
    stops ringing.

    The baby makes demands: Twix bars, movement at bedtime, cereal when the moon is full, Mozart.
    He likes to sleep during the day and practice back handsprings and round offs at night. He kicks
    when he doesn’t get what he wants, lies sideways like an arrow in protest, his tiny toes jamming
    against rib cage. He grows fat, a plump parasite.

    It is finally time for the baby to come out, but he refuses. Doctors prod him. Nurses insert pills,
    gels, start a pitocin drip. Contractions squeeze strong like hands, but the baby thinks of it as a
    lovely massage.

    The baby is finally forced out, and he bursts forth like an overripe berry, cherry face contorted in
    anger, fist grabbing the bed sheet.  He is momentarily blinded, mute, chaffed by rough hands.
    His head feels like it was in a vice grip. He finds his voice and likes the sound.

    The baby is bundled like a mummy, a soft beanie on his head. His voice slows and he listens to
    something familiar, louder and clearer than before. There is a familiar smell like spring rain. He
    calms and stares at the smiling faces that circle him. He believes he is the sun.
The Baby
Paige Riehl
The Honey Land Review
Spring 2009
Volume 1, Issue 2
PAIGE RIEHL is from St. Paul, Minnesota. She teaches writing and
literature at Anoka-Ramsey Community College, located just north of the
Twin Cities. She is currently on sabbatical and is working on her MFA in
Creative Writing at Hamline University. Her poetry and prose have appeared
in such publications as
Tryst Poetry Journal, Prairie Poetry, Mississippi
Crow
, Plum Ruby Review, The North Coast Review, and Red Weather.